How to Read and Why

Shakespeare's Wife

Tennessee Williams: Mad Pilgrimage of the Flesh

Henry James: A Life

The Art of Fiction

Imaginary Homelands: Essays and Criticism 1981-1991

Mr. Bennett and Mrs. Brown

John Donne: The Reformed Soul

The Defence of Poesy

Epistemology of the Closet

How to Read Poetry Like a Professor

Jonathan Swift: His Life and His World

Six Memos for the Next Millennium

The Anxiety of Influence

The Men in My Life

Will in the World

Marxism and Literature

The Republic of Imagination

From Bauhaus to Our House

Dostoevsky: A Writer in His Time

The Possessed

Chaucer: His Life, His Works, His World

Joseph Conrad: A Critical Biography

Biographia Literaria

A Swim in a Pond in the Rain

How Should One Read a Book?

Powers of Horror

An Essay of Dramatic Poesy

Culture and Imperialism

The Death of the Author

A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful

The Madwoman in the Attic

The Birth of Tragedy

On Photography

On Fairy-Stories

An Essay on Criticism

Reading Like a Writer

Aspects of the Novel

The Decay of Lying

Postmodernism, or, the Cultural Logic of Late Capitalism

All That Is Solid Melts Into Air

Poetics

The Discarded Image

Tradition and the Individual Talent

How To Read Literature Like A Professor

Modern Fiction

Mimesis

The Philosophy of Composition

Emily Dickinson

The Signifying Monkey

Playing in the Dark: Whiteness and the Literary Imagination

In the American Grain

Ion

The Great War and Modern Memory

The Uses of Enchantment

Rabelais and His World